Shawn Stipling (UK)

Woont en werkt in Essex (UK)

Opleiding: BA (Hons) University of Wolverhampton (UK)
 


167 (2016), acryl en gesso op multiplex, 30 x 22,5 cm 

 

Tentoonstellingen (selectie)

‘Eccentric Geometric’, ARTHOUSE1., Bermondsey, London (UK)
‘Intercontinental Line’, Galerie Abstract Project, Paris (FR)
‘In Other Words’, Gray Contemporary, Houston Texas, (US)
‘The Pattern Reveals Itself’, curated by Ivo Ringe, Claudia Weil Galerie, Friedberg, (DE)
Berlin Art Fair, (with Galerie Floss & Schultz), Berlijn (DE)
'The Black and White Project', Curators: Look&Listen, Transmitter, Brooklyn, NYC (US)
'Re-structured', curator: Ivo Ringe, The Exchange, (residency), Penzance (UK)
'On the Same Line', Galerie Olivier Nouvellet, Parijs (FR)
'All Things Being Equal', (met Riki Mijling), Galerie Floss & Schultz, Keulen (DE)
'Out of the Black and into the Blue', Galerie van den Berge, Goes
'Paper Paris' (met Look&Listen), Parijs (FR)
Galerie Victor Sfez, Parijs (FR)
Art Rotterdam, (met Galerie van den Berge), Rotterdam
ARGENTUM 2 (+1), Galerie van den Berge, Goes
'Formats Raisin',  Een project van Michel Barjol, Galerie Martagon/Look&Listen (FR)
'Night and Day', curator Linda Arts, Gallerie Studio van Dusseldorp, Tilburg
'Painting More or Less', Transmitter, Brooklyn, NYC (US)
The Seed of Its Opposite', Gallery North, Glasgow Kelvin College, Schotland
Amsterdam Drawing Art Fair, (met Galerie van den Berge), Amsterdam
'We Insist ..On Insiste', International Biennial of Non-Objective Art, Pont de Claix (FR)
Dave Meijer & Shawn Stipling, Galerie van den Berge, Goes
'Carrement 2', L’Espace Christiane Peugeot, Parijs (FR)
'Still In Motion', E M Gallery, Drachten
Saturation Zero, Abstract Project, Parijs (FR)
Art Rotterdam, (met Galerie van den Berge), Rotterdam
'Stimmung', Varsonofevsky Lane, 4/1, Moskow (RU)
'Edges To Emptiness / Kanten zur Leerheit', Kunstlerhaus Dosenfabrik, Hamburg (DE)
Salon Réalités Nouvelles, Parijs (FR)
Amsterdam Drawing Art Fair, (with Galerie van den Berge), Amsterdam
'GRIDS', (met o.a. Alain Biltereyst, P.B. van Rossem, Clary Stolte), Galerie van den Berge
Factory 49, Sydney (AU)
Art Bodensee Art Fair, (met ABContemporary) (CH)
'You Have No Idea', curator: Alain Biltereyst, Gallery 6b, Elingen (BE)
'Toujours Simple', ParisCONCRET, Parijs (FR)
Galerie Olivier Nouvellet, Parijs (FR)
'The Blue Square Project', Articulate Project Space, Sydney (AU)
'Works on Paper', SNO Contemporary Art projects, Sydney (AU)
'30/30 IMAGE ARCHIVE PROJECT4', ABContemporary, Zurich (CH)
Galerie Olivier Nouvellet, Parijs (FR)
'Maniac Episode IV', T.A.S, Groningen
Salon Réalités Nouvelles, Parijs (FR)
Reason and Romance', curator: Alain Bliteryst,  Gallery 6b, Elingen (BE)
'On Edge', ParisCONCRET, Parijs (FR)
'Une qeustion de fait', Galerie Olivier Nouvellet, Parijs & Galerie Le Hang’Art, Grenoble (FR)
Art Pogost Redux', Guslitz (RU)
Fry Art Gallery, Saffron Walden, Essex (UK)
Oriel Theatr Clwyd Gallery, Wales (UK)
DE/RECONSTRUCTED, Galeria Espacio Abierto, Calahorra (ES)
'Cube Open', (RIBA Centre for the Urban Built Environment), Manchester (UK)
 


Presentatie op Art Rotterdam  2015, Galerie van den Berge (foto: Martijn Duifhuizen)
 

Shawn Stipling 2018
My work is often very sparse in its content. The elements I use are minimised until only that which is ‘active’ remains. This reduction is essential as it allows for greater control over each of these elements and, crucially, allows me to eliminate any accident in favour of ‘conscious choice’. The precision is also functional; further emphasising that even details, of sometimes only one millimeter or less, are intentional and not the result of chance. Creating a situation where the viewer is fully aware that every nuance has been considered and is not the outcome of a serendipitous act.

I choose imagery associated with human activity, rather than that which pertains to the natural environment, as I wish to communicate in a very direct and, as I see it, very ‘human’ way. I am interested in the connections we make with others through the things we create – art, music, architecture..., and how these connections can be based on the tiniest of details. I find that the knowledge of these details being created specifically and ’intentionally’ by the artist, composer, architect…, rather than by random occurrences, produces an intensely intimate connection enhanced by the unambiguous nature of the expression.

 


138 (2015), acryl en gesso op multiplex, 24 x 18 cm

 

Publicaties (selectie)

‘Intercontinental Line’, exhibition catalogue, Abstract Project, Paris, 40 pages, 2017
‘Eccentric Geometric’, exhibition catalogue, Arthouse1., London, text by Della Gooden, 8 pages, 2017
Saturation Point, online editorial, Review of ‘Eccentric Geometric’ by Tony Blackmore, 2017
‘Salon Réalités Nouvelles 2016’, exhibition catalogue, Paris, France 2016, ISSN 1961-7704
‘The Seed of its Opposite’, catalogue, Glasgow Kelvin College, text by EC, 40 pages, 2015
‘The Black & White Project’, Look&Listen, Saint-Chamas, France, 114 pages, ISBN 978-1-51-849406-2
‘We Insist… On Insiste…’, International Biennial of Non-Objective Art, catalogue 36 pages, 2015
‘Carrément 2’, catalogue, Paris, France, 64 pages, 2015
‘Salon Réalités Nouvelles 2014’, catalogue, Paris, France 2014, ISSN 1961-7704
‘ParisConcret 2009–2014’, ParisConcret, Paris, ISBN 978-2-9533777-4, 128 pages, 2014
‘Works on Paper’, catalogue, SNO 103, SNO Contemporary Art projects, Sydney, Australia, 8 pages, 2014
Shawn Stipling, catalogue 2013, 16 pages, 2013
‘Salon Réalités Nouvelles 2013’, catalogue, Paris, France 2013, ISSN 1961-7704
‘Une Question De Fait’, catalogue, Galerie Le Hang’Art, Grenoble, France 2013

 


191 (2016), acryl en gesso op multiplex, 30 x 22,5 cm

 

 

 



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